SYNOPSICS
Point of No Return (1993) is a English,French movie. John Badham has directed this movie. Bridget Fonda,Gabriel Byrne,Dermot Mulroney,Miguel Ferrer are the starring of this movie. It was released in 1993. Point of No Return (1993) is considered one of the best Action,Crime,Drama,Thriller movie in India and around the world.
Drug addict Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top secret U.S. government Agent "Bob" arranges a staged death, so Maggie can be elaborately trained as a killer. She gets a new cover identity as saleswoman Claudia Anne Doran. She also finds a housemate, building super J.P., a broad-minded, gentle photographer. The two fall in love, and that complicates her government assignments. His influence extends to breeding in her a conscience that supplants her violent tendencies, and desire to continue work for the agency.
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Point of No Return (1993) Reviews
average movie, but great acting of Bridget Fonda
Being a remake of Luc Besson's "Nikita" (1990), this is quite an average hollywood remake of a very interesting french movie. The french original is much better in terms of direction and story, but Bridget Fonda's acting is marvellous, outstanding and considerably better than her french counterpart's in "Nikita". And this is exactly the reason to watch this movie, Fonda's performance is a thing you should definitely not miss.
Violent, stupid but enjoyable
Yes, it's a bad remake of La Femme Nikita--yes, it's overly violent and amoral (but so was the original)--yes, it's REALLY stupid, but I enjoyed it. It moves quickly, Fonda manages to give out a pretty good performance and it's certainly never boring. If you can turn off your brain, and sit through bursts of graphic violence (and a really sick sequence involving Harvey Keitel as "The Cleaner") you should be able to enjoy it. No great movie, just a really good bad movie. Critics predictably hated this movie. There's a now infamous review from the "New Yorker" magazine that's only 9 words long--"The end of French cinema as we know it." Ignore them--this is lots of fun.
Good viewing
The English version of the French movie La Femme Nikita. I think it is quite well done, and I enjoyed it. A druggie girl kills a cop and is sentenced to death. She is given the "opportunity" to live, if she does what they say, and becomes an assassin. To the rest of the world she died. She is determined, and she doesn't play well with others, but if she doesn't start playing their game, she really will be in her grave.. I'm not giving away any more. But I would recommend it, it's worth seeing. Especially if you like Bridget Fonda, who kicks arse in this movie.
Better than expected; shame on the naysayers
I thought this flick was good, and I'm SO glad that the film didn't resort to the typical Hollywood ending that other American remakes do (though it differed just a bit from the original "Nikita"). Admittedly, I'm biased in that I'm getting to be a big Bridget Fonda fan. And I agree with another reviewer that Fonda played a more likable character than the one in the French original. Plus, the DVD's sound is great, though the picture is grainy. All in all, a good film that doesn't deserve all the mudslinging it has gotten.
Superb acting and cinematography let this Nikita remake shine.
I've never seen the French film, Nikita, on which this is based, but it sounds superb. What drew me into this film was the presentation of the story, which focuses less on her as a professional killer and more on her humanity. In the French film, Nikita looks very forceful and aggressive. Fonda in "Point" seems more sensitive and feminine. I'm just going to have to see the French one. I'm not easy to impress and this film drew me in. Nikita must be awesome. BRIDGET FONDA has a face one can just stare at for hours. It's a restrained performance. She plays a very conflicted character full of paradox. A proposal from her lover cause tears to well up in her eyes as she peers down the scope of her rifle at her latest target. She manages to keep a straight face when her friend is killed in front of her. She even manages a smile and says, "I never did mind about the little things." Fonda has such talent that she's able to portray pure calm with every muscle in her face while her eyes swim in terror and heartbreak. HARVEY KEITEL is Victor, the Cleaner. His face is a stone. No smiles, frowns, or grimaces. He is heartless and emotionless. As he kills, his face remains stone cold. He says no unnecessary words. His answers are short, to the point. Superb. His performance is understated brilliance. GABRIEL BYRNE has a knack for making his characters believable. He's harsh, yet sympathetic. He alone makes this movie worth watching.