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Pink Floyd: The Wall (1982)

Pink Floyd: The Wall (1982)

GENRESDrama,Fantasy,Music
LANGEnglish
ACTOR
Bob GeldofChristine HargreavesJames LaurensonEleanor David
DIRECTOR
Alan Parker

SYNOPSICS

Pink Floyd: The Wall (1982) is a English movie. Alan Parker has directed this movie. Bob Geldof,Christine Hargreaves,James Laurenson,Eleanor David are the starring of this movie. It was released in 1982. Pink Floyd: The Wall (1982) is considered one of the best Drama,Fantasy,Music movie in India and around the world.

Rock star Pink Floyd is a tortured soul. Because of his childhood, he has always tried to make meaningful emotional connections to other living creatures. That childhood includes not having a male role model with his father having been killed in the war, his overprotective mother smothering him, and an oppressive school system quashing his natural creativity. Being a rock star, he is often wanted more because of what he is than who he is. The most recent failure in that true connection to someone or something else is his marriage, when on tour, he discovers that his wife back home is cheating on him. His response is to go in the opposite direction, by building a figurative wall around him to isolate himself from the rest of the world, but not before showing graphically his feelings on different gut levels. The question becomes if he or anyone else can do anything to tear down the wall in a meaningful way.

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Pink Floyd: The Wall (1982) Reviews

  • Why is The Wall so often misunderstood ?

    Zambelli1999-02-15

    I have seen the movie several times now and every time I watch it I see something new, something I haven't seen or heard before. Some unsung line, some lost message... Every time I watch the movie I seem to dig deeper into this complex work of art. However, I cannot tell you how disappointed I am that this movie is so underestimated, and, above all, misunderstood. How many times have you heard someone say something like: "You can't watch 'The Wall' unless you're really drunk or really high" ? I have heard this line probably from every single person that has seen the movie and it hurts me so much that nobody really tries to understand the movie. The key to understanding the movie is in the lyrics. The movie is not just a long series of video clips that accompany the album. The images are just a final piece of the puzzle, the final touch on a magnificent piece of art. The first time I saw this movie I felt very embarassed. Yes, embarassed, because I felt like a fool for hearing the album so many times and not realizing what it was about. The movie made me appreciate the lyrics of a rock song for the first time in my life. The week after seeing "The Wall" for the first time I bought Pink Floyd's "The Final Cut". Do you know what was the first thing I did when I opened the CD case? I read the lyrics, from the first to the last word. And I actually tried to understand what the album was about. "The Wall" is so much more than you think it is. The only solution to not understaning the movie is watching it again and paying more attention. Once you get it, you will never forget it.

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  • An assault on the senses, and a really great film!

    andy-2271999-05-17

    "Pink Floyd The Wall" is a great film, based on the already great album by Pink Floyd! I was stunned by the use of imagery, combined with the great soundtrack of the album, which gave us a strange, drugged up vision of what a burnt out rock star would see. It's really crazy! Yet it shows how these famous rock stars are bombarded with fame and applause, and how insane it can drive an already disturbed person. "The Wall" itself, is the isolation and separation from society and saneness, which is a place that can easily be avoided if only people gave us a fair chance to. The depressing part about the film is that none of this is the rock star's fault. He was driven to it by loneliness in his growing up years(since he lost his father to the war), along with psychological torment by his teachers, parents, and above all, his sexually controlling wife. The movie is twisted because this is how the lead character sees the world. Worse yet, after he has already been driven to the edge of his own sanity, in his mind, the people who drove him to that edge, come back to testify against him. It's weird the first time you watch it, and looks a lot like a crazy music video that was pulled out of MTV. The only difference is that this one is telling a story, and has been transferred to the big wide screen. Alan Parker has directed the film, but Roger Waters seems to be in charge here, because it's his album, his story, and his conception. All that's really been done here is transforming the album to celluloid. I in some ways, like this better than the album, because now we have images to reinforce the songs and the story. I wish I could have seen this on the big screen, because the variety of images and the loud music seem compressed and compacted on a small TV set. You might not understand this the first time, especially if you haven't heard the album yet. But it really is a great film, and it actually has a story and a point that most music videos today unfortunately lack! I think that this film will teach people the reasons why these talented individuals suffer and lose their minds. The people that have guided and taken care of them while they grew up, often take away their ability to happily and normally function on their own. And the album and film's lesson is for not only the people who drove him to his wall to back off, but for him to pull himself out.

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  • fascinating!

    daveoline2005-01-08

    Roger Waters has weaved a compelling visual of the journey of a disturbed and misled mind. Though the viewer is sometimes left to sort out obscure animations and confusing images, it is not without direction. Subsequent viewings of this film reveal substance that only a genius could imbue in his writing. Character development through such subtle action in places casts a light upon Roger Waters as a person who understands the frailty of the human mind. The main character, Pink, portrays angles of the human condition we all face at some point by embodying a victimized character: sick over the loss of his father to the war; negatively spotlighted at school for talents that are apparently unfavorable at the time; unable or just unwilling to relate to his wife; and ultimately shut off from effectively relating to others because of an inability to express himself in ways that others understand. Not only is the story captivating, but the music is such that it will always be noted as not only ahead of its time, but timeless. The Wall is a masterpiece of storytelling, but not in the traditional sense. One must not watch this film expecting everything on a silver platter. Symbolism and metaphors abound, leaving a great deal of interpretation and adaptation to the viewer. Sit with an open mind and let Waters' character help you read into yourself.

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  • The Wall is one of the best albums/movies ever done

    sero2000-03-23

    What can you possibly say except that this movie is amazing? "The Wall" is one of the few movies out there that has a powerful effect on the people are receptive to its message. Told with practically no dialogue, the only guide to the bizarre, frightening, and strange images is the incredible music by Pink Floyd, from their equally good double album. A considerable number of the songs were re-recorded for this movie, and one song (the heart-wrenching "When the Tigers Broke Free") was added. The new versions of the songs are sometimes worse than the album (Waiting for the Worms), and sometimes better (Mother, In the Flesh). "The Wall" isn't a pleasant movie, nor is it a simplistic or banal movie. It is brutal, cynical, and disturbing, but it has moments of flesh-tingling beauty and an uplifting message in the end, if you persevere. I recommend both it and the album to anyone who enjoys a powerful movie. In my opinion, "The Wall," along with a few other albums, represents the pinnacle of rock music.

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  • A mad piece of Cinema!

    Nazi_Fighter_David2000-05-20

    Alan Parker has always had a gift for the integration of music and film, and his efforts over the years have reflected that. Movies like "Fame" & "The Commitments" have made him a director more remembered for his music video skills than his storytelling, even though he directed gripping controversial more seriously films, like "Midnight Express," and "Mississippi Burning." "The Wall" tells the account of a rock star's breakdown, Pink Floyd slowing down into madness... Pink's madness is illustrated with living flashbacks of his life... He has visions of his childhood from a baby held in the cradle to his present moment... We have little Pink suffering from alienation for the death of his father in the war, and taken under the care of his mother... We have also rock and roll star Pink, who is destroyed by his evident insanity and is driven over the edge by his wife's infidelity and we have a blown insane Pink, a Nazi dictator under the Hammer Regime leading a series of occurrences like raping, breaking and pillaging... Alan Parker translates the music into memorable images that are insensible to love or pity... All of Pink's life is projected on the screen... We see and hear songs altered from an abstract concept into a disgusting vision of students being thrown into a meat grinder... Pink constructs the wall by building up tension... In mixing up sexuality and violence, he creates a new window into Pink's character... The animated sequences that reflected Pink's foolishness are important and influential... Alan Parker's direction moves the story cleverly from the present into the past and into a possible future, drawing a warning, but still contemplating traumas of a child with hurtful effects on the fully grown man... The result is a mad piece of cinema, a kind of a bad dream becoming even worse than usual... The film exploits great special effects, some frightful and impossible to understand... The music praises the film so well from declaring noisy rock and roll music to quiet ballads of insanity... Bob Geldof is amazing as Pink, the British rock star broken in pieces under the psychological pressure of an American Tour... Pink Floyd-The Wall is a bizarre animation reinforcing its vision of an insane, inhumane, unjust and cruel world, not easy to follow... The film stands out as one of the classic in the teenage scene, specially teenagers who take or receive narcotic and due to its psychedelic nature leaves you greatly depressed...

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