SYNOPSICS
Me, Natalie (1969) is a English movie. Fred Coe has directed this movie. Patty Duke,James Farentino,Martin Balsam,Elsa Lanchester are the starring of this movie. It was released in 1969. Me, Natalie (1969) is considered one of the best Comedy,Drama movie in India and around the world.
Since she was a child, Natalie Miller has always thought she was an ugly ducking. Despite her mother's encouragement that she will grow up to be pretty, Natalie has never believed it will happen. She rents a Greenwich Village apartment from an eccentric landlady and gets a job at the Topless Bottom Club. She rides a motorcycle to work, decorates her loft with a moose head, and rides up and down a dumbwaiter to get to her apartment. There Natalie meets David an artist, and the two have a love affair before she discovers he is married.
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Me, Natalie (1969) Reviews
Any girl who felt less than perfect will relate to this film
Those of us who grew up being less than "beautiful", can relate to Natalie all too well. We were unattractive, for whatever reason, and needed to feel loved and wanted. The progression of the film was perfect in the way it portrayed Natalie finding her own self, in both worth and confidence. The parents we excellently scripted and acted, as well as Farentino's character. It makes you laugh and cry at just the right times, and leaves you with a sense of being able to make the changes in your life that you didn't think were possible. I haven't seen this film since it's original release, but it has obviously made a tremendous impact upon me. I hope someone has the sense to release it on tape.
Shot in Brooklyn
Part of this movie was shot right across the street from me, in an apartment building on Ocean Parkway in Brooklyn, NY, when I was a kid. One of my friends lived there, and when I came out of his apartment, I talked to Patty Duke who was sitting with some crew in the lobby, for a couple of minutes before they ushered me out. I was a major fan of the Patty Duke show, so I was thrilled, and she was very nice. It's the only movie I can ever remember shot in my neighborhood, and it caused quite a thrill. I don't remember much about the movie except the Brooklyn street scenes of neighborhoods I was familiar with. I'd love to see this movie again to relive some of those moments. Is it ever played on TV on one of the movie channels that specialize in older movies like AMC or Turner Classic Movies?
No Way An Ugly Duckling
The good news: Patty Duke redeems herself as an actress after her admittedly "bad work" in "Valley of the Dolls." The bad news: hardly anyone went to see this in theaters. That's a shame because there's much to commend this film. Most of that centers around Duke's performance (actually, they're all top notch performances here). She has to convince us she's unattractive, vulnerable, yet no weakling by any stretch of the imagination. Yet I never felt entirely sorry for her because she seemed well equipped to weather the putdowns that come from being an ugly girl. I ended up liking Natalie because Duke makes her likable -- yeah, she's got a heart of gold but she's got spirit, too. There are all kinds of nice moments here but I especially appreciate the scene at the Hoboken ferry landing where she goes to see if her fictional Prince Charming will actually materialize. She won a Golden Globe award for this performance and it stands as probably her best work as an adult. From here she moved into what is arguably her second best adult role, in the TV film, "My Sweet Charlie." She won an emmy for that one. About this time she also did a wonderful job in a PBS film called "Birdbath." Again, she's paired with Farentino and again, she's a plain Jane from New York City, but this time with an entirely different psychological make-up from Natalie and with a horrible secret. Duke sure showed a lot of potential for the big screen...too bad it never materialized. And it's too bad this film isn't available on VHS.
Routine 60's coming of age story made worthy by a strong cast.
"Me, Natalie" is very much a film of two times: literally, the late 1960's (in which it takes place) and figuratively, post-adolescence, which it's heroine grapples with throughout the film. Along the literal lines, the film sensitively deals with the generation gap during the era in which it was perhaps most severe. Impressively, ageism is never cause for condescension in this film. Not so impressively, a gooey Henry Mancini soundtrack and some maudlin wanna-be-romantic photography date it pretty badly. As a coming of age story, the film is very much a contemporary of "The Sterile Cuckoo", being about a relative misfit who must find what works for her as she enters adulthood. How one feels about these eras will invariably affect how one responds to the film. It's chief assets are it's vivid New York atmosphere and it's terrific cast. Patty Duke carries this film as effortlessly as Sandy Dennis or Natalie Wood carried earlier films of a similar nature, and she is surrounded by a terrific supporting cast. Fans of "The Sopranos" will enjoy seeing the late Nancy Marchand, who is superb as a very different type of mother than Livia Soprano. Martin Balsam and Elsa Lanchester are also memorable in brief appearances. James Farentino is effective as the artist Natalie falls in love with, and Al Pacino is charismatic in his first screen role as a cad she meets at a dance. The entire cast works beautifully, and makes a look at this film well worth while.
Sweet, But Dated...
I finally managed to secure a 16mm transfer of ME, NATALIE on NTSC VHS cassette after searching for this film for nearly nine years. I originally found it on Japanese laserdisc in a video store in Manhattan in 1994 but the price was $75.00 and I was hardly about to spend that kind of money! Al Pacino has a less-than 60-second role in this 1969 "people will love you for the person you are inside" drama starring Patty Duke and Martin Balsam. I always liked Balsam, and he had me giggling after he discourses on the virtues of being homely, then announces his decision to marry a stripper! He's a true male chauvanist pig. LOL Nancy Marchand is very good as Duke's mother, but the screenplay suffers from a preachy tone that gets to be a real turn-off by the end of the film. A running time of 90 minutes would have been plenty rather than the nearly 107 minutes that it does run. I love movies shot in New York City, and this film does an ample job of capturing the aura of city life at that time. Worth seeing for the performances, plus seeing Livia Soprano 30 years younger is a treat...