SYNOPSICS
Downtown - Die nackten Puppen der Unterwelt (1975) is a German movie. Jesús Franco has directed this movie. Jesús Franco,Lina Romay,Paul Muller,Martine Stedil are the starring of this movie. It was released in 1975. Downtown - Die nackten Puppen der Unterwelt (1975) is considered one of the best Comedy,Crime movie in India and around the world.
Somewhere in sunny Puerto Rico: private detective Al Pereira has seen far better days in his professional life. He would need more jobs, because his cash is almost empty. One day he meets the obscure, mysterious Cynthia, who promises a lucrative job. Pereira is supposed to oversee a notorious businessman and politician named Ramos, as Cynthia assumes that he is cheating on her, and Pereira is said to shoot proof-footage of strangers. An easy job, as Pereira seems, and he gets to work. But the lady who gave him the job seems to play a double game and pulls him into a murderous affair. In any case, Pereira one day finds Ramos dead and now has the police on his neck, which suspected him of killing the politician. Apparently, Pereira was the last person to have seen Ramos alive, because he snapped the foreigner in a unique position during the lovemaking and then sneaked out of his house. To prove his innocence, Pereira goes with the investigating Police Inspector to the widow of Ramos, to...
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Downtown - Die nackten Puppen der Unterwelt (1975) Reviews
I love this movie...
Everything about this noir-ish tale about a smalltime private dick (a tour-de-force performance by Franco himself) is wonderfully endearing. Hypnotic minutelong macro-close-ups of undulating vaginas, cheesy Lina Romay-cabaré-routines and a cool performance only Paul Müller is capable of (I love that guy). This movie has it all. Franco's private eye is hired by Lina Romay's character to snare her husband with compromising photos of him canoodling with his mistress (The utterly gorgeous Martine Stedil). Needless to say, things go beump (no I didn't spell it wrong, I merely emulated inspector Closeau) in the night and Franco has to do some real detective work. I love the way Franco played the lead in this one. He glides around town like a little micro mini-pimp womanizing and looking sleepy (and sleazy, mind you) as always. I also like the way he bumps into the camera shaking the frame when jumping over a hedge. And finally, we get to see the most blatant case of the director Franco taking care of the actor Franco, when throwing himself head first into a threesome with Lina Romay and Martine Stedil, eagerly masturbating them both, for real, on camera. That's dedication to your art if I ever saw it. And that's the reason I'm a Francophile-He always has something unique up his sleeve you least expected to see. And, let's face it, a fat man bobbing up and down between two vaginas, was truly unexpected. He shoots. He scores. Like always. Apemolecule
"You're sleeping with another one, that I don't care about"
It's always amusing to watch Jess Franco convert the elements of any film genre into a confused, sleazy spectacle, and Downtown: Die Nackten Puppen der Underwelt is no exception. As if the genre of film noir wasn't already replete with clichéd scenarios, here comes Jess Franco's interpretation, a furiously banal, incredibly sloppy, crotch-shot-filled piece of cinematic madness that's overall worth watching. Downtown tells the story of a private detective and two con-women strippers, one of whom sings hilarious showtunes in English, even though it's clear she doesn't understand a word of what she's saying. It stars Franco, no less, in the main role, and features much of the cast of other Franco/Dietrich collaborations, including the scrumptious Martine Stedil and of course, Lina Romay. The latter two partake in ample nude squirming, in an admirable attempt to portray sexual activity. The story of Downtown doesn't so much unfold before your eyes as it is babbled at you in rapid-fire, bullet-speed dubbed German narration and dialog spoken by a bunch of naked non-German-speaking actors. There's much talk about what's taking place and why, but not much action to depict it on screen, with most of the non-narrated footage devoted to the aforementioned nude squirming and occasional night club music acts. However, to Franco's credit, Downtown's storyline, though confusing and at times insane, is more developed than in most of his other flicks. I recommend Downtown over other Franco/Dietrich features like Sexy Sisters or Rolls-Royce Baby, but definitely not over Barbed Wire Dolls.
That sleazy Franco Feeling...
This film with Jesús Franco himself in the main role as a sleazy hitman is a slow but sensual experience. The music in the film feels like a summer's breeze: the oh-so-relaxing kind of jazz soundtrack Jess Franco is famous for. Then there are the beautiful women: Lina Romay and Martine Stedil are a bisexual killer couple. The many arousing erotic scenes show extreme close-ups of their private parts. These scenes are very much 'pornographic' yet the nudity in this film is so peaceful, not as in Hollywood film where they always make a too big point out of a nude scene: Here women go to bath without wrapping themselves in big towels. They sleep naked when it's hot, and they don't hide behind anything when they wake and stand up. Lina Romay in particular plays a very hot and sexy femme-fatale. The character played by Franco is like a comic character. He's small, looks funny, thinks he's smart but makes a mess out of everything. The entire film is covered in a very seventies decor. The colors, the people, the designs. A fine film for lovers of sexy seventies cinema and a must-see for Franco fans.
Downtown? Downbeat
I am a self-confessed Franco fan, but this little number from his mid period (in my view his most creative) does not rank up there with his best. He wheels out the "Barbed Wire Dolls"/"Women in Prison" team for a less edgy exercise than these WIP outings. Yes, Lina Romay, Monika Swinn and Martine Stedile are all there- and yes they get naked (a lot). However it is all curiously unerotic and the plot and love scenes are all painted by numbers. There is none of the sharp edges of his WIP flicks-and frankly it is less fun for that. Just a lot of hotel bedrooms, interior and close-up gynae shots. Franco himself stars as Al Perreira (a private detective) in this one. He doesn't get naked. At least we are all thankful for that .....
They think they can fool him, and they're right
Private eye Pereira agrees to assist a lady in distress. She knows her husband has a new lover, but needs photos to prove it and get divorced. The photos are however discovered later on a corpse, and Pereira is unexpectedly involved in a case of blackmail and murder - as the main suspect. Director Jess Franco plays Pereira himself in "Downtown" and with wonderful irony due to the off-monologue where he describes himself as a smart guy who cannot be fooled - whereas in the movie, it happens to him constantly. The voice in the German soundtrack (this is a Swiss production) belongs to a voice actor who also dubbed Ernie in Sesamy Street. Great fun early 70s sleaze with gratuitous nudity, but a remarkably good script compared to many other works from Franco's hand.