SYNOPSICS
3:10 to Yuma (2007) is a English,Chinese movie. James Mangold has directed this movie. Russell Crowe,Christian Bale,Ben Foster,Logan Lerman are the starring of this movie. It was released in 2007. 3:10 to Yuma (2007) is considered one of the best Action,Crime,Drama,Western movie in India and around the world.
Rancher Dan Evans heads into Bisbee to clear up issues concerning the sale of his land when he witnesses the closing events of a stagecoach robbery led by famed outlaw Ben Wade. Shortly thereafter, Wade is captured by the law in Bisbee and Evans finds himself one of the escorts who will take Wade to the 3:10 to Yuma train in Contention for the reward of $200. Evans' effort to take Wade to the station is in part an effort to save his land but also part of an inner battle to determine whether he can be more than just a naive rancher in the eyes of his impetuous and gun slinging son William Evans. The transport to Contention is hazardous and filled with ambushes by Indians, pursuits by Wade's vengeful gang and Wade's own conniving and surreptitious demeanor that makes the ride all the more intense.
More
![3:10 to Yuma Trailer [HQ]](http://i4.ytimg.com/vi/fSVzB18nczs/mqdefault.jpg "3:10 to Yuma Trailer [HQ]")
3:10 to Yuma (2007) Reviews
An old fashioned modern western
I saw this film last night at a preview in the lead up to the Toronto International Film Festival. Having never been a big western fan (with a few exceptions - Shane, High Noon, The Wild Bunch) and having been rather indifferent to Walking The Line, James Mangold's last directorial effort, my expectations were modest, despite the hype that the film has received. But I was duly impressed. The action and tension remain constant throughout but, more importantly, the plot is compelling and the acting is terrific. No doubt many will be impressed by Ben Foster's affected performance as Russell Crowe's loyal but psychopathic sidekick (think Johnny Depp in the Pirate movies) but to my taste it was much too over the top in a cast that offered a number of subtle and well thought out performances. Russell Crowe is brilliant as the arrogant, amoral outlaw Ben Wade and Christian Bales infuses his role as a beleaguered rancher and Civil War veteran with just the right mix of pathos and dignity. Iy was wonderful to see Peter Fonda be given a role in which he was allowed to demonstrate his genuine talent, much too long hidden away. In my view, though, it is Logan Lerman who most deserves the accolades that will certainly come his way. He plays Bales' teenage son who comes of age in the course of the film. Initially disillusioned with a father whom he sees as drudge and a failure, he eventually recognizes his father as the hero he is (or at least becomes). Cinematically, this film ranks up there with the best westerns of all time. It is consistently beautiful to watch and captures the expanse and majesty of the American west as well as any movie I've ever seen. In many respects this is a traditional western (it is a remake, after all). They really don't make movies like this much anymore and it will be interesting to see whether it finds an audience in this era of dumbed down teen comedies and quirky slices of dysfunctional modern life. I wish it well.
Seven/Noon
"The boys dressed themselves, hid their accoutrements, and went off grieving that there were no outlaws any more, and wondering what modern civilization could claim to have done to compensate for their loss. They said they would rather be outlaws a year in Sherwood Forest than President of the United States forever." Mark Twain's Adventures of Tom Sawyer In 3:10 to Yuma, a few references to The Magnificent Seven and the idea of a train arriving at a specific time when good and bad guys converge, as in High Noon, made viewing this Glenn Ford remake from 1957 a pleasant one. And right I was but for even more good reasons. Not since Unforgiven and The Quick and the Dead have I been as excited about seeing a Western in its heroic and revisionist forms. 3:10 to Yuma is a true Western in the American film tradition about the 19th-century American West: It has clear heroes and villains (and a mixture of those), wide prairies, dirty towns, fast guns, weak lawmen, cunning murderers, kids on the cusp, and women marginalized, just for starters. Then ratchet up to the philosophical/post modern/post Eastwood reflections on the profession of being a gunman juxtaposed with being a responsible father, and you have an classic angst-filled clash where villain has a wee bit of heart and hero an equal measure of cowardice. Delightfully mix in a certifiable baddie in the Lee Van Cleef/Jack Palance tradition, Ben Foster (Alpha Dog) as Wade's amoral lieutenant Charlie Prince (as in "of darkness"). Best of all, it is nail-bitingly suspenseful and beautifully photographed. In order to pickup some home-saving cash, poor crippled farmer Dan Evans (Christian Bale) is helping transport murderer Ben Wade (Russell Crowe) to court via the 3:10 to Yuma from Bisbee, Arizona. Getting Wade to the station is no easy task, even for the several deputies, because Wade's evil gang is in hot pursuit and more importantly, Wade is psychologically working on them from within, alternately charming and brutal; just imagine his roguish smile behind an extremely fast gun and unscrupulous conscience. It's hard to believe a studio could dump such a winner in the dog days of summer. I will say only that if you have even a modicum of respect for this genre, see 3:10 to Yuma and relive the golden days of straight-up shoot-em ups with rough-hewn characters, electric plot, and revisionist attitude about the romance of being an outlaw or a farmer. Get there on time because that movie train goes fast from the get go.
No western, with courageous sacrifice, can be stunning by accident!
Christian Bale (Dan Evans) holds the screen as an honest rancher who volunteers for two hundred dollars to be part of a doomed group of guards to take the enigmatic bandit and killer Ben Wade (Russell Crowe) to a train, the 3:10, leaving Bisbee, Arizona for Yuma prison to trial Beaten down by an old Civil War injury, and unable to protect his farm and his family from Wade's ruthless gang and humiliated by his teenage son (Logan Lerman) who makes no efforts to hide his disappointment in his impoverished father, and who doesn't try to hide the fact that he admires the charismatic criminal, Dan finds a great quantity of reasons to undertake the perilous trip to Contention City to fight back like a real man and regain his son's respect The story concentrates on Evans whose unknown destiny tries to paint to his son an unforgettable picture turning up poignant and endearing Wadeleader of a murderous band of robbershad great respect for Dan throughout the film and develops a kind of understanding and appreciation for him Their short scenes in the hotel room celebrate the virtues of two opposite men who stand up for what they believe stopping on issues in relation with family, dignity, virtue, and admirable integrity The best scenes are those in which Wade teases Dan: "Your conscience is sensitive, Dan. It's not my favorite part of you." Crowe's interpretation of a gifted cold-blooded smooth-talking bad man is one of the most compelling parts of the film Bale is splendid as the struggling, crippled rancher, misunderstood by his whole family The two actors comfortably inhabit this stunning western It is nice to see that there are still good westerns being made lately And James Mangold's "3:10 to Yuma," a remake of Delmer Daves' 1957 picture, is one of them It is a Western with realistic violence, great action sequences, breathtaking photography, and an inevitable final shoot-out
Don't Miss This Movie
It's one of the best westerns and best all-around movies I've seen in a long time. That's largely due to the outstanding performances by the cast, ably led by the alpha male, bad guy, Russell Crowe. His protagonist is Christian Bale who turns in a nuanced performance as the down-on-his luck rancher. The scenes between these two men are riveting and a display of acting at its best. The supporting cast are all wonderful and in particular, Ben Foster, Fonda and Logan Lerman as Bale's oldest son. The action is virtually non-stop which makes for a compelling, exciting story. But what really drew me in were the stellar performances, particularly that of Crowe. He is the bad guy you actually might end up rooting for. He goes from charming to deadly and back again all in the blink of an eye. He carries the film on his very able shoulders, but Bale gives him a good run for his money in the acting department. This is one movie that any lover of westerns or anyone simply longing for a good movie with good acting will not want to miss. The two hours will go by in the blink of an eye and you'll be wishing there was more.
Shades of gray. The measure of a man and what price he is willing to pay for justice
Being a fan of westerns from a young age, I really wanted to like this movie and I did. I just didn't love it because of a few too many plot holes and inconsistencies. If you are willing to suspend belief and enjoy the ride, it is a very satisfying movie filled with action, suspense and terrific acting showcasing the intricacies of complicated men. As most westerns ultimately are, this was a movie about the measure of a man. When faced with extraordinary circumstances how far will a man go to do the right thing and what price separates good and evil. It is a story of youth with a riveting performance by a young Logan Lerman as a rancher's son who doubts his father's worth and struggles to come to terms with his expectations of what makes a man great and who he will idolize. Being a fan of the TV series Jack and Bobby, it was great seeing Logan again and enjoying his work. He gives a sensitive, nuanced performance and holds his own against some powerhouse acting from Russell Crowe and Christian Bale. Russell is the perfect actor to play Ben Wade bringing a depth and humanity to a character who is established early on as a dangerous, ruthless outlaw. There are indications from the start that Ben isn't your standard villain, and Russell does a great job at showing the shadings in this character while maintaining the threatening nature of Ben Wade. There is a hint of gentleness and sensitivity and even though you suspect childhood damage might have produced a man capable of such evil, you never doubt the viciousness this character is capable of. Christian Bale turns in another intricate portrayal as the rancher, Dan Evans. Slowly the layers and truths of Dan are revealed until he is laid bare, with all his regrets and failings threatening to define him. As a man trying to provide for his family and gain the respect of his older son, he gives a captivating performance as an average man struggling to do what is right while faced with overwhelming obstacles. The interaction between these two fine actors and how their characters end up on the continuum between good and evil is the focus of the movie. 3:10 to Yuma is an interesting merging between the old-fashioned westerns of long ago and the new psychological metaphors of modern movie-making. There are lots of dead bodies littering up the landscape, but the blood and guts movie style of Peckinpah is thankfully missing and we are left with a character study wrapped up in an action, chase flick. Peter Fonda has a wonderful role as a grizzled old bounty hunter and even though I knew he was in the movie it took me forever to recognize him. I kept thinking the character reminded me of Richard Widmark, but perhaps there was a touch of Henry in there too. Alan Tudyk has a nice turn as a quirky doctor and Ben Foster is mesmerizing as the big bad sidekick of Ben Wade. Many will think Ben goes overboard on the characterization, but it was difficult to not watch him as the crazy, vicious killer, Charlie Prince. I think he held back just enough to make the character believable, in an intensely crazed, vicious old-west world. Ultimately the bad guys were more believable to me than the good guys. There were several instances where I wanted to yell at the screen and tell the good guys they were doomed because of their inept actions, but perhaps they just haven't seen as many westerns as I have and didn't realize these bad guys were truly vicious animals and no mercy would be offered. Towards the end is when the stretches of believability most disturbed me and the movie lost some of its sheen. I just didn't buy all the contrivances they threw at me and for me, that made the ending less than satisfying. My sister, on the other hand, loved the ending and was actually crying, but don't let the crying scare you off. She tends to get overly emotional when she buys into the story and she had no problem suspending belief and taking the ride they offered. If you love westerns as I do, then you owe it to yourself to support this western at the theater in hopes the box office receipts will encourage more westerns to be produced. If you enjoy great acting and character development and the wider framework of what makes a man a hero and what forces drive a man to despair then this movie provides ample fuel for further discussion. 3:10 to Yuma could have been a great movie if they would have cleaned up some of the plot holes and reined in the ending, but all in all, it was a nice time at the movies and it certainly offered up some lively discussion afterward. The entire cast was stunningly good, the movie was beautifully photographed and the direction kept it moving at a good pace with no lulls or boring moments. It offers a glance back at the old-time westerns with a few nice improvements. Even if you don't normally appreciate westerns, the acting and action should be enough to make the time spent enjoyable. And if you never appreciated westerns before then maybe it will be enough to make you want to check out some of the greats like High Noon and The Searchers. Westerns have always been a fertile ground for examining the complexities of man, what makes a man great, and the shades of gray that resides in all of us.